This comprehensive historical account demonstrates the rich diversity in 1970s British experimental filmmaking, acting as a form of reclamation for films and filmmakers marginalized within established histories. An indispensable book for practitioners, historians and critics alike, it provides new interpretations of this rich and diverse history.
List of Tables Acknowledgements List of Abbreviations Image Credits for Book Cover Introduction 1. Questions of History 2. Institutional Frameworks and Organisational Strategies 3. Experimental Film and Other Visual Arts 4. Visionary, Mythopoeia and Diary Films 5. Experiments with Structure and Material 6. Women and Film Conclusion Notes Bibliography Index
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