This book articulates the first theoretical context for a 'cyborg theatre', metaphorically integrating on-stage bodies with the technologized, digitized, or mediatized, to re-imagine subjectivity for a post-human age.aIt covers a variety of examples, to propose new theoretical tools for understanding performance in our changing world.
List of Illustrations Acknowledgements Preface: Remembering Introduction: Why Cyborg Theatre? Backspace: Historical/Theoretical Intersections Shifting the Balance: Abject Bodies Object of Control: Framing the Fragments Entering the View: Triangulating Subject Bodies Conclusion: Remembering Bodies, Becoming-Cyborg Bibliography Index
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